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Cosmology and the Tetragrammaton

As we discussed in the previous post “Singularity and Paradise,” Paradise offers a beautiful metaphor for modern cosmology wherein Eden is the initial singularity preceding the Big Bang, the river flowing from Eden to water the garden[1] is the expanding universe, and the garden itself is our planet Earth. This metaphor fits nicely with an old Kabbalistic allegory of a glassblower who maps the various stages of the glassblowing process with the four letters of the Tetragrammaton—Y‑H‑W‑H, or yud-heh-vav-heh. To create a glass object, the glassblower must first have a seminal idea of what he desires to create—this corresponds to the letter י (yud) of the Tetragrammaton, because yud represents Chokhmah, which itself represents the seminal idea and inspiration. Before the process of creation begins, the glassblower must inhale air into his lungs—this [...]

Singularity and Paradise

These are the chronicles of the heaven and of the earth when they were created, in the day that the Eternal G‑d made earth and heaven. (Genesis 2:4) The second chapter of Genesis contains many repetitions, the most famous of which is the second rendering of the story of the creation of Adam and Eve. The classical commentators explain that this chapter adds further details to the original story of creation told in chapter one. Indeed, the Torah itself makes it clear by stating that “these are chronicles of the heaven and the earth…” Thus, the biblical cosmology sketched out in the first chapter of Genesis is retold here in greater detail. *** And a river went out of Eden to water the garden. (Genesis 2:8-10) This verse positions Eden as the wellspring [...]

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